英文原版 The Metamorphosis 变形记蓝思1320L Bantam Classics 英文版进口英语原版书籍

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作者: Kafka, Franz
出版社: Bantam Classics
ISBN: 9780553213690

出版时间: 1972-02
装帧: 其他

作者: Kafka, Franz
出版社: Bantam Classics

ISBN: 9780553213690
出版时间: 1972-02

装帧: 其他

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书名：The Metamorphosis 变形记难度：Lexile蓝思阅读指数1340 作者：Franz Kafka弗兰兹·卡夫卡出版社名称：Bantam Classics 出版时间：1986 语种：英文 ISBN：9780553213690 商品尺寸：10.9 x 1.2x 17 cm 包装：简装页数：194 The Metamorphosis《变形记》是奥地利德语小说家卡夫卡的代表作，创作于1912年，其采用与传统小说截然不同的表现手法，描写了人一夜之间变成大甲虫的荒诞故事，嘲讽了人和人之间的冷漠和赤裸裸的金钱关系。本书为Bantam Classics推出的英译版，译者为翻译家Stanley Corngold。本版本除了收录小说《变形记》之外，还收录了卡夫卡1910-1923年间的日记、致亲朋好友的书信以及其他一些散文作品。 “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic— meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, “Kafka is important to us because his predicament is the predicament of modern man”. Translated and edited by Stanley Corngold, with generous critical materials including essays, notes, and selections fromKafka’s letters and diaries. The Metamorphosis《变形记》的主人公格里高尔·萨姆沙在一家公司任旅行推销员，长年奔波在外，辛苦支撑着整个家庭的花销。当萨姆沙还能以微薄的薪金供养他那薄情寡义的家人时，他是家中受到尊敬的长子，父母夸奖他，妹妹爱戴他。当有一天他变成了甲虫，丧失了劳动力，对这个家再也没有物质贡献时，家人一反之前对他的尊敬态度，逐渐显现出冷漠、嫌弃、憎恶的面孔。父亲恶狠狠地用苹果打他，母亲吓得晕倒，妹妹厌弃他。渐渐地，萨姆沙远离了社会，然后孤独痛苦地在饥饿中默默地死去。 “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.” With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. 弗兰兹·卡夫卡，20世纪奥地利德语小说家。卡夫卡1883年出生犹太商人家庭，18岁入布拉格大学学习文学和法律，1904年开始写作，主要作品为四部短篇小说集和三部长篇小说。可惜生前大多未发表，三部长篇也均未写完。他生活在奥匈帝国即将崩溃的时代，又深受尼采、柏格森哲学影响，对政治事件也一直抱旁观态度，故其作品大都用变形荒诞的形象和象征直觉的手法，表现被充满敌意的社会环境所包围的孤立、绝望的个人。卡夫卡的主要作品有《审判》《城堡》《变形记》《一只狗的研究》等。 Franz Kafka (born July 3, 1883, Prague, Bohemia, Austria-Hungary-died June 3, 1924, Kierling, near Vienna, Austria) Czech writer who wrote in German. Born into a middle-class Jewish family, he earned a doctorate and then worked successfully but unhappily at a government insurance office from 1907 until he was forced by a case of tuberculosis to retire in 1922. The disease caused his death two years later. Hypersensitive and neurotic, he reluctantly published only a few works in his lifetime, including the symbolic story The Metamorphosis (1915), the allegorical fantasyIn the Penal Colony (1919), and the story collectionA Country Doctor(1919). His unfinished novelsThe Trial (1925),The Castle (1926), andAmerika (1927), published posthumously against Kafka’s wishes, express the anxieties and alienation of 20th-century humanity. His visionary tales, with their inscrutable mixture of the normal and the fantastic, have provoked a wealth of interpretations. Kafka’s posthumous reputation and influence have been enormous, and he is regarded as one of the great European writers of the 20th century. Introduction by Stanley Corngold The Metamorphosis translated by Stanley Corngold A Note on the Text Explanatory Notes to the Text Documents Letter byKafka to Max Brod, October 8,1912 Sokel’s Comments Two Conversations between Kafka and Gustav Janouch, 1920-1923 Kafka to His Father, November 1919 Entries inKafka’s Diaries Critical Essays Wilhelm Emrich:Franz Kafka Ralph Freedman:Kafka’s Obscurity Edward Honing: The Making of Allegory Max Bense:Kafka’s Fantasy of Punishment Peter Dow Webster:Franz Kafka’s“Metamorphosis” as Death and Resurrection Fantasy Walter H. Sokel: Education for Tragedy Friedrich Beissner: The WriterFranz Kafka Kafka and Poet Commentary Helmut Richter:“The Metamorphosis” Selected Bibliography When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin. He was lying on his back as hard as armor plate, and when he lifted his head a little, he saw his vaulted brown belly, sectioned by arch-shaped ribs, to whose dome the cover, about to slide off completely, could barely cling. His many legs, pitifully thin compared with the size of the rest of him, were waving helplessly before his eyes. “What’s happened to me?” he thought. It was no dream. His room, a regular human room, only a little on the small side, lay quiet between the four familiar walls. Over the table, on which an unpacked line of fabric samples was all spread out－Samsa was a traveling salesman--hung the picture which he had recently cut out of a glossy magazine and lodged in a pretty gilt frame. It showed a lady done up in a fur hat and a fur boa, sitting upright and raising up against the viewer a heavy fur muff in which her whole forearm had disappeared. Gregor’s eyes then turned to the window, and the overcast weather—he could hear raindrops hitting against the metal window ledge—completely depressed him. “How about going back to sleep for a few minutes and forgetting all this nonsense,” he thought, but that was completely impracticable, since he was used to sleeping on his right side and in his present state could not get into that position. No matter how hard he threw himself onto his right side, he always rocked onto his back again. He must have tried it a hundred times, closing his eyes so as not to have to see his squirming legs, and stopped only when he began to feel a slight, dull pain in his side, which he had never felt before. “Oh God,” he thought, “what a grueling job I’ve picked! Day in, day out—on the road. The upset of doing business is much worse than the actual business in the home office, and, besides, I’ve got the torture of traveling, worrying about changing trains, eating miserable food at all hours, constantly seeing new faces, no relationships that last or get more intimate. To the devil with it all!” He felt a slight itching up on top of his belly; shoved himself slowly on his back closer to the bedpost, so as to be able to lift his head better; found the itchy spot, studded with small white dots which he had no idea what to make of; and wanted to touch the spot with one of his legs but immediately pulled it back, for the contact sent a cold shiver through him. He slid back again into his original position. “This getting up so early,” he thought, “makes anyone a complete idiot. Human beings have to have their sleep. Other traveling salesmen live like harem women. For instance, when I go back to the hotel before lunch to write up the business I’ve done, these gentlemen are just having breakfast. That’s all I’d have to try with my boss; I’d be fired on the spot. Anyway, who knows if that wouldn’t be a very good thing for me. If I didn’t hold back for my parents’ sake, I would have quit long ago, I would have marched up to the boss and spoken my piece from the bottom of my heart. He would have fallen off the desk! It is funny, too, the way he sits on the desk and talks down from the heights to the employees, especially when they have to come right up close on account of the boss’s being hard of hearing. Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to him—that will probably take another five or six years—I’m going to do it without fail. Then I’m going to make the big break. But for the time being I’d better get up, since my train leaves at five.” 1234567
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