内容提要 This work argues that Kevin Hart's poetry has a close relationship with western traditions and there are dual realities in Kevin Hart's poetic space, and this space includes the elements of classicism, romanticism,modernisms(cubism,surrealism),dual tradition of theology (positive the-ology and theology), and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry: the concrete, conscious, definite, familiar, natural, phenomenal, physical,and positive standing side by side with the abstract, higher, ideal, in-definite, intellectual, metaphysical, , philosophical, surreal, transcendental, and unconscious. The latter are achieved from the former through a process of transcending or going beyond, and the mediume tween the two poles of binary pairs are death, denial, denudation, deprivation, dying, idealisation, negation, rejection, transgression, transcendence,and transformation. 目录 Part I Introduc tion Section I Introduction Section II Ha rt’S Backg round and Achievements Section III Literatu re Review．1978—2003 Section IV MethodologyPart II From Classicism to Romanticism Section I Classical Elements in Hart’S Poems Section II Hart’S Romantic Internalized QuestPart III Modernisms in Hart's Poems Section I Elements 0f Cubism Section II Elements 0f Su rrealismPart IV Hart's Faith and the Dual Tradition of Theology Section I Positive Theology Section II TheologyPart V Relingion without Religion Section I Questing fOr“Continuity of Being”through Desi re and Death Section II Seeking for“Exteriority”th rough Transcendence Section III Religion without ReligionPart VI Cone husionAttac hments: 1.Bibliography 2.15pomy Hart in transiation 作者介绍
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