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王宇弘 著 / 上海外语教育出版社 / 2011-07 / 平装
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英汉语通感隐喻对比研究
《英汉语通感隐喻对比研究》从通感隐喻角度对人类认知方式的共性和个性做出了进一步的探索。通过对英语和汉语诗歌中的通感隐喻进行大规模的搜集整理和对比分析,探究英汉语通感隐喻源域和目的域之间的搭配关系和迁移方向,发掘出英汉语通感认知模式的共有规律及各自特点,并据此深入剖析通感现象的普遍认知机制,以及通感文化个性的美学和哲学根源。《英汉语通感隐喻对比研究》研究的具体问题包括:(1)英汉语通感隐喻的认知共性;(2)英汉语通感隐喻的文化个性;(3)通感现象的认知机制和认识论启示;(4)英汉民族不同的美学思想和哲学传统对通感认知模式的具体影响。
ListofTablesListofFiguresAbbreviationsChapterIIntroduction1.1Terminology1.2MotivationoftheResearch1.3ObjectivesoftheResearch1.4LayoutoftheBookChapter2LiteratureReviewofRelevantResearch2.1SynaesthesiaandLiterature2.1.1SynaesthesiainWesternLiterature2.1.2SynacsthesiainChineseLiterature2.2SynaesthesiaandLinguistics2.2.1SynaesthesiaandRhetoric2.2.2SynacsthesiaandSemantics2.2.3ComparativeandContrastiveStudiesofSynaesthesia2.3Synaesthesia,Psychology,andCognition2.3.1SynaesthesiaandPsychology2.3.2SynaesthesiaandCognitiveTheories2.4SummaryChapter3TheoreticalFrameworkoftheStudy3.1HistoricalPerspectivesoftheRelationshipbetweenConceptionandPerception3.1.1TwoBasicOrientationsConcerningtheOriginofKnowledge--RationalismandEmpiricism3.1.2ThePreludeofRationalismandEmpiricisminthePre-SocratesStage3.1.3TheFormationofRationalismandEmpiricisminClassicGreekPhilosophy3.2TheKantianAccountofConceptionandPerception--"theCritiquePhilosophy"3.2.1TheBackgroundoftheKantianPhilosophy3.2.2PerceptionConformingtoConception--"CritiqueofPureReason".3.2.3ATranscendentalLinkbetweenConceptionandPerception---Schema3.3AnEmbodiedAccountofConceptionandPerception--the"EmbodiedPhilosophy"3.3.1TheEmbodiedRealism3.3.2TheEmbodimentofHumanReason3.3.3AnEmbodiedLinkbetweenConceptionandPerception--ImageSchema3.4SummaryChapter4ResearchMethodologyandResults4.1ResearchMethodology4.1.1ResearchQuestions4.1.2Materials4.1.3ResearchDesign4.1.4Procedures4.2ResearchResults4.2.1Statistics4.2.2GeneralDescriptionsChapter5SynaesthetieMetaphorsinEnglishandChinese:CognitiveSimilarities5.1PredominantSourceandTarget5.1.1PredominantSource5.1.2PredominantTarget5.2PredominantType5.2.1Hearing-targetingTypes5.2.2Vision-targetingTypes5.3PredominantDirection5.4SummaryChapter6SynaestheticMetaphorsinEnglishandChinese:CulturalDifferences6.1TheDiversityofSynaestheticMetaphorsinEnglishandChinese6.1.1CulturalDifferenceinSynaestheticSensation6.1.2CulturalDifferenceinSynaestheticity6.2AestheticPreference6.2.1RichnessversusLightness6.2.2AestheticPreferenceintheWesternCulture6.2.3AestheticPreferenceintheChineseCulture6.3PhilosophicalRoot6.3.1TrothversusNature6.3.2PhilosophicalTraditionintheWesternCulture6.3.3PhilosophicalTraditionintheChineseCulture6.4SummaryChapter7GeneralDiscussion7.1OntheCognitiveMechanismofSynaesthesia7.1.1Schema-basedSynaesthesia7.1.2Affection-basedSynaesthesia7.1.3Concurrence-basedSynaesthesia7.1.4InterimSummary7.2OnthePhilosophicalSignificanceofSynaesthesia7.2.1TheCognitiveRoleofSynaestheticMetaphors7.2.2TheEpistemologicalImplicationofSynaestheticMetaphors7.3OntheMethodologyofSynaestheticStudies7.4SummaryChapter8ContusionandImpfications8.1SummaryofMajorFindings8.1.1AnswerstoResearchQuestion18.1.2AnswerstoResearchQuestion28.1.3AnswerstoResearchQuestion38.2Implications8.2.1LinguisticImplications8.2.2PhilosophicalImplications8.3LimitationsandRecommendations8.3.1LimitationsofthePresentResearch8.3.2RecommendationsforFutureResearchesReferencesAppendicesAppendixⅠ:SampleEnglishEntriesofSynaesthesiaAppendixⅡ:SampleChineseEntriesofSynaesthesia
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