这本专著重点介绍了洛曼在伦敦和纽约大卫-茨维尔纳（David Zwirner）举办的展览以及其他近期作品，并收录了林恩-蒂尔曼（Lynne Tillman）撰写的文字，为读者提供了一个独特的视角，横跨洛曼的所有作品。在接受《布鲁克林铁路》（The Brooklyn Rail）记者安德鲁-保罗-伍尔布莱特（Andrew Paul Woolbright）的采访时，洛曼讨论了他对表现和意义、二十世纪手势艺术和波普艺术、慢画以及美国暴力的看法。
A stunning, focused document of Nate Lowman’s work from the past four years
“Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber.” —BOMB Magazine
With an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter.
Spotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for The Brooklyn Rail, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.
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