Daniel Boyd (b. 1982) is one of Australia's most acclaimed artists. His practice is internationally recognized for its engagement with the colonial history of the Australia–Great Ocean (Pacific) region. Drawing upon intermingled discourses of science, religion, and aesthetics, Boyd's work reveals the complexities through which political, cultural, and personal memory is composed. Boyd's work traces his cultural and visual heritage―both Aboriginal and ni-Vanuatu―in relation to broader histories of colonial settlement and the Western art canon. Working with an idiosyncratic painting technique that partially obscures the composition, Boyd refigures archival imagery, art historical references, and his family photographs, forcing us to contend with histories that have been overlooked and hidden from view. Daniel Boyd: Treasure Island unpacks the ways in which Boyd holds a lens to colonial history, explores multiplicity within narratives, and interrogates blackness as a form of First Nations resistance. It provides a thoughtful and thought-provoking response to the current moment, when critical dialogues on ideas of community, connectivity, and cultural repatriation carry special urgency. With new writing by the exhibition curators and commissioned First Nations authors, the book offers critical insight into Boyd's practice as well as creative and experimental responses to his work by poets Jazz Money and Ellen van Neerven. 丹尼尔·博伊德(生于1982年)是澳大利亚最受欢迎的艺术家之一。他的实践是国际公认的澳大利亚-大洋(太平洋)地区的殖民历史的参与。利用科学、宗教和美学的混合论述，博伊德的作品揭示了政治、文化和个人记忆构成的复杂性。博伊德的作品追溯了他的文化和视觉遗产——土著和尼-瓦努阿图人——与更广泛的殖民定居历史和西方艺术经典的关系。 博伊德用一种奇特的绘画技巧部分模糊了构图，重塑了档案图像、艺术史参考资料和他的家庭照片，迫使我们与被忽视和隐藏的历史进行斗争。 丹尼尔·博伊德:《金银岛》揭示了博伊德对殖民历史的视角，探索了叙事中的多样性，并将黑人作为第一民族抵抗的一种形式进行了质询。它提供了对当前时刻的深思熟虑和发人深省的回应，此时关于社区、连通性和文化回归的重要对话具有特殊的紧迫性。 随着展览策展人和委托第一民族作者的新作品，这本书提供了对博伊德的做法的批判性见解，以及诗人Jazz Money和Ellen van Neerven对他的工作的创造性和实验性的回应。 基本信息 出版社 : Art Gallery New South Wales (2022年 8月 30日) 语言 : 英语 精装 : 248页 ISBN-10 : 1741741599 ISBN-13 : 978-1741741599 商品重量 : 1.24 Kilograms 尺寸 : 20.83 x 2.79 x 27.43 cm
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