自20世纪90年代以来，时尚影像已从令人向往的华丽风格演变为由跨学科艺术家、艺术总监和摄影师共同打造的实验性流派。家庭空间或我们居住的场所已成为这种趣味探索的私密场所，在其中，我们得以讲述个人故事，并使时尚摄影作品更具真实性。本书以插图形式呈现了对22位知名和新兴影像创作者的访谈或专题报道，为这一现象提供了独到的见解。特邀摄影师包括Corinne Day、Tierney Gearon、Clifford Prince King和Tina Barney等。
三十年来，时尚影像的焦点已从高端拍摄转向了别具一格、Instagram 风格的居家拍摄。这个家可能是一栋房子、一套公寓，也可能是一间房间——通常，尽管并非总是如此，却与光鲜亮丽的外表截然相反。《居家舞台》捕捉了人们对家的迷恋，将其视为一个“未经策划”的场所，用于展示个人的私人生活和人际关系，以及接受专业委托创作。二十二位这样的影像创作者的文字和作品揭示了家是如何与时尚影像融合的。他们包括先锋派的 Nigel Shafran；在疫情期间与 Martine Rose 合作打造虚拟时装秀的 International Magic；以及 Carrie Mae Weems，她为 Bottega Veneta 拍摄的 2024 年广告大片真正回归了“家”——展现了 A$AP Rocky 与孩子们共度的美好时光。每位撰稿人的评论都直言不讳，他们的作品更是如此。最终呈现的是对时尚摄影及其近年来变革的全新解读，极具启发性。
A bold interpretation of contemporary photography, this book explores the role of the domestic interior in fashion photography and its importance in defining a new kind of fashion image.
Since the 1990s, fashion imagery has evolved from the aspirational and glamorous into an experimental genre created by interdisciplinary artists, art directors, and photographers. The domestic space or where we live has acquired a key role as an intimate setting for this kind of playful exploration, in which personal stories are told, and fashion shots gain authenticity. Illustrated interviews with or editorials on twenty-two established and newer image-makers offer exceptional insights into this phenomenon. Featured photographers include Corinne Day, Tierney Gearon, Clifford Prince King, and Tina Barney, to name a few.
For three decades, the fashion image has shifted its focus from high-end shoots to the idiosyncratic, Instagram-style practice of pictures taken at home. That home may be a house, apartment, or room―often, though not always, the antithesis of glamour and gloss. The Domestic Stage captures this fascination with the home as an "uncurated" setting for presenting an individual’s private life and relationships, and for professional commissions with edge. How this space merged with the fashion image is revealed through the words and work of twenty-two such image-makers. They include the pioneering Nigel Shafran; International Magic, who created virtual fashion shows with Martine Rose during the pandemic; and Carrie Mae Weems, whose 2024 Bottega Veneta campaign truly came "home"―to show A$AP Rocky enjoying time with his children. Each contributor’s commentary is candid and revealing, their images even more so. The result is a provocative new take on fashion photography and its transformation in recent years.
Adam Murray is a curator, researcher, and lecturer at Central Saint Martins, London. A respected authority on photography and the fashion image, he contributes regularly to AnOther and has curated exhibitions at Somerset House, London, and Open Eye Gallery, Liverpool. Murray lives in northwest England.
Charlotte Cotton is a writer and curator of photography. She has held senior posts at the Los Angeles County Museum of Art, and The Photographers’ Gallery and the Victoria and Albert Museum in London, among others. She has held scholarly posts at Yale University, The New School for Design, and California College of Art. Previous books include Fashion Image Revolution; Public, Private, Secret: On Photography and the Configuration of Self; and Photography Is Magic.
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