她们的视点——台湾女性导演研究（1957—2000）
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全新正版现货
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作者:
刘亚玉
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出版社:
九州出版社
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ISBN:
9787510867002
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出版时间:
2018-10
售价
￥
32.00
5.0折
定价
￥64.00
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上书时间2023-10-22
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【编辑推荐】:
深入近半个世纪的台湾女性导演电影作品，体会台湾女性视点的以影像文本，探讨女性对时代的感受。
【内容简介】:
从1950年代至2000年，台湾的女性导演经历了从政治主导的社会中默认自己作为男性的"他者"，到开始真正反思"为什么女性是他者" 的过程，也见证了台湾社会政治经济的演进发展。在台湾女性导演们横跨近半世纪的电影作品中，她们也用独特视点的影像文本书写着她们对时代的感受。本书试图将女性电影史放在主流影史的发展脉络中观照，借助文化研究的方法，用精神分析、女性主义、后女性主义理论分析她们的作品在不同社会语境中的意义。
【作者简介】:
刘亚玉,青年学者、编剧,苏州大学博士后,上海大学博士,台湾淡江大学、台南艺术大学访问学者,在《当代电影》等核心期刊发表论文多篇，参与多部影视剧制作。
【目录】:
导 论·····························································································1
*章 20 世纪50 年代闽南语电影时代的*位女性导演······················12
*节 从家庭走向社会的台湾女性 ················································14
第二节 陈文敏在筚路蓝缕的闽南语片时代 ·······································18
第三节 为女性书写悲情故事与民间传奇 ··········································38
第四节 初涉性别议题的女性书写 ··················································· 59
第二章 20 世纪60 年代至80 年代的台湾女性导演 ································· 64
*节 主流电影中潮流中的汪滢导演 ·············································66
第二节 爱情文艺片早期的女导演崔小萍 ··········································87
第三节 琼瑶电影后期的御用导演刘立立 ·········································106
第四节 电影类型极致多元的杨家云导演 ·········································128
第五节 喜剧式的家庭伦理片导演苏月禾 ·········································147
第六节 小结：1960 至70 年代女导演的创作环境概述 ························156
第三章 20 世纪80 年代至90 年代的台湾女性导演 ································ 162
*节 跨地域文化创作的张艾嘉导演 ············································164
第二节 以天下为己任为艺术使命的王小棣导演 ································191
第三节 从感性书写到理性思辨的黄玉珊导演 ···································215
第四节 跨区域制片的导演——刘怡明 ············································234
第五节 小结：台湾新电影思潮影响下的女导演创作 ··························245
总 论··························································································266
参考文献资料·················································································274
附录一：台湾历史学家及女导演访谈录 ··············································· 284
附录二：参考影片目录····································································· 319
后 记···············································&mid
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