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实拍图 语种自辩
[挪威]弗洛德·赫兰德 著; 孙建 编 / 复旦大学出版社 / 2012-12 / 平装
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跨文化的易卜生
IbsenhasremainedapopulardramatistinChinaandhehasmadeanotablecontributiontoChinaintheprocessofitsmodernity.HewasoneoftheWesternwritersfirstintroducedintoChinaduringthestormyyearsatthebeginningofthe20thcenturywhenChinastartedtotransformitselffromafeudalisticnationintoamodernone。
1.Ibsen:AContemporayBangladeshiPlaywrightAhmedAhsanuzzaman2.Ibsen’SCompass:PointsofDreadandDesireAnneCharlotteHanesHarvey3.OnPeerGynt:ACriticalReviewoftheAnnualPeerGyntPerformanceinGolaa,GudbrandsdalenAstridSather4.NorwegianSuperman—or?WhattothinkasaNorwegianwhenIbsenhasgoneglobal,withJohnGabrielBorkmanasexampleBenedikteBerntzen5.ADoll'sHouseandKramerVS.Kramer:ObjectionstoFamilyLawBjarneMarkussen6.SomeObservationsonIbsen’STheWifdDuckCharlesKalish7.TreadingonNewGround:AfricanAdaptationsof“ADoll’SHouse”CheelaFKChilala8.FromSelf.10sttoSelf.realization—Ibsen’SNoraandChineseWomen’SQuestforModernAiminChe?9.Multi—receptionsofIbsenisminChina.FromMisinterpretationt0InnovationLiangChen10.InterculturalisminTheatreandtheChinesePerformancesofIbsenChengzhouHe11.TranslatingIbsenin2009:AnApologyofLiteralityCristinaGomezBaggethun12.DiscordandHarmonybetweenHumanandNature:AnEcologicalInterpretationofTheLadyfromtheSeaDanniDai13.TheRoleofWomenintheReceptionofIbseninFinlandinthe1880sand1890sH.K.Riikonen14.InterculturalImplicationsofADoll'sHouse:ExperienceswithaProductionofIbsen'sPlayinMozambiqueHelgeRearming15.TwoDissentingVoices:HaroldPinter'sMountainLanguageandHenrikIbsen'sADoll'sHouseIbrahimYerebakan16.Ibsen's"MasterBuilder":AChurch,aHouse,aCastleintheAirJanetRoberts17.TheCrisisintheSelfandtheSelfinTimesofCrisisJasminkaMarkovska18.TheThemeof"Discussion":Ibsen,ShawandDingXilinComparedJianSun19.MappingEtdukkehjemJulieHolledge20.IbsenandRabindranathMeetingPointsKazalKrishnaBanerjee21.PeerGynt'sBoundarycrossings:TheGlobalMapofHisEmpiricalandMentalJourneysKnutBrynhildsvoll22.BeyondtheTarantella:RevisualizingPainandPleasureinHenrikIbsen'sADoll'sHouseLauLeungChe,Miriam23.TheInteractionofTextsandPerformancesofIbsen'sPlays——IbsenintheDramaTeachinginShanghaiTheatreAcademyMinghouLiu24.IbsenintheGlobalizedSociety:Multiculturalism—ortheLackthereof—inNorwegianIbsenPerformanceLixianCheng25.ReceptionofIbseninLatviaduringtheSovietOccupation(1940—1991)MaijaBurima26.PostperestroykaReceptionsinStagingIbsenMargaritaOdesskaya27.PlaybirdorFeatherbrain?MayBritAkerhoIt,28.TranslatingInsen’SByggmesterSolnessintoRussianOlgaD.Drobot29.SingularlyBound:HenrikIbsenandTheatricalSurvivalOliviaGu/2n30.TheLadyfromtheSea:EmergenceFromMarineUnconscioustoAwakenedLivingRakeshMohanSharma31.Ibsen’SEnigmaVariations:Re—imaginingInterculturalPerformanceResearchRustomBharucha32.TheUseofGunandtheMythofFreedomSabihaHuq33.“PoliticalOrgies”:Ibsen’SPlaysandContemporaryBangladeshShaftAhmed34.NorainADoll'sHouseandBangladeshPerspectiveShahMohammadSahaulkarim35.VerfremdungseffektinMabouMinesDollhouseSusanMason36.TheMakingofaWorldDramatist:IbsenandDetNorskeTheaterTanyaThresher37.IbseninBengal(easternIndia):NegotiatingDifferenceContemporaryBengaliRepresentationsofWhenWeDeadAwakenandTheWildDuckTapatiGupta38.Ibsen'sUseofHolyDays:AnAmalgamofPhilosophy,PoetryandReligionTraustiOlafsson39.IbseninNigerianTheatre:DramaticArtsDepartment,ObafemiAwolowoIleIfe,OsunStateasaCaseStudyTundeBakare40.GlobalizingNoraandTorvald:OyamO'sASelfishSacrifice—inChina?VictorCastellani41.IbsenandUsigli.TwoCreatorsofaNationalTheaterVictorGrovasHajj42.RethinkingIbsen'sMultipleInfluencesonModernChineseDramaYuliWang43.ADoll'sHouseonChineseStageLanlanXie44.FeministAwakeningandSelfdefinitionAComparativeStudyofFemaleCharactersinADoll'sHouseandJinPingMeiRulanYe45.TowardaRediscoveryofIbsen'sNationalHistoricalPlaysinChinaXujiaZhou
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