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肇文兵 著; 王文亮 译 / 五洲传播出版社 / 2010-01 / 平装
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中国雕塑(英文版)
ChinesesculpturalartshavegraduallydevelopedtheirownstyleovertimeandmanagedtodisplayaestheticfeaturesandculturalconceptsuniquetoancientChina.ThedevelopmentofChinesesculptureparallelsthehistoryoftheancientChinesecultureandaesthetics.ItisavisiblewitnesstotheculturalfusionandexchangesbetweentheHansandotherethicgroupsaswellasbetweentheChineseandforeigncultures.
ZhaoWenbing,bornin1975inChangchun,JilinProvince,isdoctoralcandidateoftheAcademyofArtsandDesign,TsinghuaUniversitytutoredbyProf.ZhangFuye.ShegraduatedfromtheCentralAcademyofArtsandDesignin1999andworkedasateacherintheArtTheoryDepartmentofLuxunAcademyofFineArtsinthesameyear.SheobtainedtheMAfromtheAcademyofArtsandDesign,TsinghuaUniversityin2006.SinceJuly2006,Zhaohasworkedasthepart-timeeditorandcolumndirectorofthemagazineArtsandDesign.Shehasmanydissertationspublicshedonthecoreperiodicalsofartsanddesign.
ForewordBeginningsofChineseSculpturePotterysculpturesinprimitivetimesJadesculpturesinprimitivetimesFerociousBeautyoftheCentralPlainsCivilizationShang——MagnificentferocityWesternZhou——SimpledignityTheSpringandAutumnPeriodandtheWarringStatesPeriod——SlimandgracefulluxuryTheMysteriousCultureoftheAncientShuSanxingduicultureStandingbronzefigurewithmultipleidentitiesSuspectedalienbronzeheadsLargebronzemaskswithverticaleyesandstraightearsEmperorQinShihuangs"UndergroundArmy"Whataretombfigures?ExcavationofQinterra-cottawarriorsandhorsesShapeofQinterra-cottawarriorsandhorsesTerra-cottahorsesandbronzechariotsandhorsesChineserealismMagnificentStoneCarvingsfromtheHanDynastyLargestonecarvingsThetombofHuoQubingHorseSteppingonaXiongnuSoldierMakingatombQilianMountainArtlessnessbehindhandinessSkillfulbutnotexquisiteCarvedstoneanimalsintheEasternHanDynastyIntroductionofBuddhismandtheBlendingofCulturesMogaoGrottoimagesMaijishanGrottoimagesYungangGrottoimagesLongmenGrottoimagesTheDignityof"theKingdomofHeaven"GuardbeastfiguresintheWei,]in,NorthernandSouthernDynastiesEmperorstonecarvingsintheTangDynastyPotteryfiguresintheTangDynastytombsIntegrationofBuddhism,TaoismandConfucianismPaintedsculpturesatJinciTempleBuddhiststatueatQinglianTempleDazurockcarvings"Colorful"sculpturesfromtheMingandQingdynastiesMing-stylepaintedsculpturesatShuanglinTempleStatuesof500ArhatsatQiongzhuTempleGorgeousResidencesQintilecarvingsandHaneaves-tileornamentsReliefsculpturesonQuefromtheEasternHanDynastyOrnamentalarchitecturalsculpturesoftheSuiandTangdynastiesStonearchitecturalsculpturesoftheYuanDynastyArchitecturalsculpturesoftheMingandQingdynastiesDelightofFolkArtQiaoer"Muhura"Playingtoys——BigAfuHand-madefiguresbasedontraditionalChineseoperasandClayFigurineZhangSculpturalStyleintheNewEra1911-1949:Westernstylegraduallyplayedaroleintheturbulenteasternworld1949-1979:Fromrevolutionarypassiontoformula-styleartFrom1980-theearly21stcentury:ConceptualsculpturalartshowingpublicawarenessAppendix:ChronologicalTableoftheChineseDynasties
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